RME Fireface UFX+ Audio Interface
RME Fireface UFX+ Audio Interface RME Fireface UFX+ Audio Interface RME Fireface UFX+ Audio Interface

RME Fireface UFX+ Audio Interface

Product Code: UFX+
Availability: In Stock
MSRP: $2,999.00
Minimum Advertised Price: $2,799.00
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RME’s Fireface UFX+ is an Audio Interface for unparalleled digital recording. The UFX+ has an impressive channel count: 12 analog + 16 ADAT + 2 AES + 64 MADI = 94 channels input plus output = 188 channels in total. It builds on the great success of the original UFX, but with new thunderbolt connectivity, MADI I/O, and boosted DSP. It features direct to USB recording, and an ultra low latency!

 

Powered by TotalMix FX

The most powerful mixer of its kind that has the ability to create an unlimited number of submixes as outputs are available. It adds both flexibility, and incredible latency. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians. A new Total Mix iPad app gives you full control over hardware mixer and DSP effects for Fireface UFX+, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from your iPad. 

 

All new AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range serves even the most critical recording situation and source trouble-free. New low impedance Hi-Power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power as well as volume on any phones, high or low impedance.

 

 

Comprehensive MADI Connectivity

The Fireface UFX+ opens the doors to a host of RME and 3rd party digital and analog I/O solutions. Expanding your analog channel count, the ability to route/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series.

To further enhance MADI flexibility, the Fireface UFX+ boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I/O (12 analog plus 16 ADAT plus AES), the MADI I/O is still available via RME’s integrated hardware mixer TotalMix FX. Word Clock I/O (BNC) can be switched to MADI I/O (coaxial), and a special split mode even supports the use of both MADI I/Os simultaneously, with 32 channel each on optical and coaxial.

 

Improved DURec (Direct USB Recording)

DURec, which is available on the front of the Fireface UFX+, now offers second generation hardware with improved USB functionality and compatibility, providing greater reliability even with slower or multi-partitioned USB thumb drives.

The maximum number of recordable channels has been raised to 76, meaning all 12 analog inputs plus 64 MADI channels can be recorded simultaneously. An internal Realtime Clock (RTC) delivers time-stamped files, and playback now includes several advanced player functions previously unavailable.

 

Optional ARC USB Remote Control - Plug’n Play Plus

The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.

The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX+. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX+.

 

Analog

AD, Line In 1-8, rear
• Resolution AD: 24 bit

• Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA

• Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz

• Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz

• Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz

• THD: < -110 dB, < 0.00032 %

• THD+N: < -104 dB, < 0.00063 %

• Channel separation: > 110 dB

• Maximum input level: +19 dBu

• Input: 6.3 mm TRS jack, electronically balanced

• Input impedance: 8 kOhm unbalanced, 12 kOhm balanced

• Input sensitivity switchable to Lo Gain, +4 dBu

• Input level for 0 dBFS @ Lo Gain: +19 dBu

• Input level for 0 dBFS @ +4 dBu: +13 dBu

• Variable gain: 0 to +12 dB

• Minimum level for 0 dBFS: +1 dBu, -1.2 dBV

Microphone In 9-12, front 

As AD, but: 

• Input: XLR, electronically balanced

• Input impedance: 3.4 kOhm

• Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA

• Gain range: 75 dB

• Maximum input level, Gain 0 dB: +18 dBu

• Maximum input level, Gain 75 dB: -57 dBu

• CLIP LED: 0 dBFS • SIG LED: -60 dBFS

Instrument In 9-12, front 

As AD, but: 

• Input: 6.3 mm TS jack, unbalanced

• Input impedance: 1 MOhm

• Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA

• Gain range: 42 dB

• Maximum input level, Gain 8 dB: +21 dBu

• Maximum input level, Gain 50 dB: -21 dBu

DA, Line Out 3-8, rear

• Resolution: 24 bit

• Dynamic range (DR): 115 dB RMS unweighted, 118 dBA

• Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz

• Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz

• Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz

• THD: < -110 dB, < 0.00032 %

• THD+N: < -104 dB, < 0.00063 %

• Channel separation: > 110 dB

• Maximum output level: +19 dBu

• Output: 6.3 mm TRS jack, servo-balanced

• Output impedance: 75 Ohm unbalanced, 150 Ohm balanced

• Output level switchable Hi Gain, +4 dBu, -10 dBV

• Output level at 0 dBFS @ Hi Gain: +19 dBu

• Output level at 0 dBFS @ +4 dBu: +13 dBu

• Output level at 0 dBFS @ -10 dBV: +2 dBV

DA - Stereo Monitor Output XLR (1-2) 

As DA, but: 

• Output: XLR, balanced

• Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV

• Output level at 0 dBFS @ 24 dBu: +24 dBu

• Output level at 0 dBFS @ Hi Gain: +19 dBu

• Output level at 0 dBFS @ +4 dBu: +13 dBu

• Output level at 0 dBFS @ -10 dBV: +2 dBV

DA - Stereo Monitor Output Phones (9-12)

As DA, but: 

• Output: 2 x 6.3 mm TRS stereo jack, unbalanced

• Maximum output level at 0 dBFS, High: +19 dBu

• Maximum output level at 0 dBFS, Low: +2 dBV

• Output impedance: 2 Ohm

• Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)

 

MIDI

• 2 x MIDI I/O via 5-pin DIN jacks

• Galvanically isolated by optocoupled input

• Hi-speed mode: Jitter and response time typically below 1 ms

• Separate 128 byte FIFOs for input and output

 

• 1 x MIDI I/O via MADI

• Invisible transmission via User bit of channel 56 (up to 48 kHz)

• Invisible transmission via User bit of channel 28 (up to 96 kHz)

 

Digital

• Clocks: Internal, ADAT, AES, MADI, word clock

• Low Jitter Design: < 1 ns in PLL mode, all inputs

• Internal clock: 800 ps Jitter, Random Spread Spectrum

• Jitter suppression of external clocks: > 30 dB (2.4 kHz)

• Effective clock jitter influence on AD and DA conversion: near zero 

• PLL ensures zero dropout, even at more than 100 ns jitter

• Digital Bitclock PLL for trouble-free varispeed ADAT operation

• Supported sample rates: 28 kHz up to 200 kHz

 

Digital Inputs

MADI

• Optical via FDDI duplex SC connector

• 62.5/125 and 50/125 compatible

• Coaxial via BNC (Word Clock input), 75 Ohm

• High-sensitivity input stage (< 0.2 Vpp) • Accepts 56 channel and 64 channel mode, plus 96k Frame

• Standard: up to 64 channels 24 bit 48 kHz

• S/MUX: up to 32 channels 24 bit 96 kHz

• S/MUX4: up to 16 channels 24 bit 192 kHz

• Lock range: 25 kHz – 54 kHz

• Jitter when synced to input signal: < 1 ns

AES/EBU

• 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992

• High-sensitivity input stage (< 0.3 Vpp) • SPDIF compatible (IEC 60958)

• Accepts Consumer and Professional format

• Lock range: 27 kHz – 200 kHz

• Jitter when synced to input signal: < 1 ns

• Jitter suppression: > 30 dB (2.4 kHz)

ADAT Optical

• 2 x TOSLINK, format according to Alesis specification

• Standard: 2 x 8 channels 24 bit, up to 48 kHz

• Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz

• Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz

• Bitclock PLL ensures perfect synchronisation even in varispeed operation

• Lock range: 31.5 kHz – 50 kHz • Jitter when synced to input signal: < 1

SPDIF optical (ADAT2)

• 1 x optical, according to IEC 60958

• Accepts Consumer and Professional format

• Lock range: 27 kHz – 200 kHz

• Jitter when synced to input signal: < 1 ns

• Jitter suppression: > 30 dB (2.4 kHz)

Word Clock

• BNC

• Internal termination 75 Ohm switchable

• Automatic Double/Quad Speed detection and internal conversion to Single Speed

• SteadyClock guarantees super low jitter synchronization even in varispeed operation

• Not affected by DC-offsets within the network

• Signal Adaptation Circuit: signal refresh through auto-center and hysteresis

• Overvoltage protection

• Level range: 1.0 Vpp – 5.6 Vpp

• Lock Range: 27 kHz – 200 kHz

• Jitter when synced to input signal: < 1 ns

• Jitter suppression: > 30 dB (2.4 kHz)

 

Digital Outputs

MADI

• Optical via FDDI duplex SC connector

• 62.5/125 and 50/125 compatible

• Cable length: up to 2000 m

• Coaxial via BNC, 75 Ohm

• Output voltage 600 mVpp

• Cable length: up to 100 m

• Generates 56 channel and 64 channel mode, plus 96k Frame

• Standard: up to 64 channels 24 bit 48 kHz

• S/MUX / 96k Frame: up to 32 channels 24 bit 96 kHz

• S/MUX4: up to 16 channels 24 bit 192 kHz

AES/EBU

• XLR, transformer-balanced, galvanically isolated, according to AES3-1992

• Output level Professional 4.5 Vpp, Consumer 2.6 Vpp

• Format Professional according to AES3-1992 Amendment 4

• Format Consumer (SPDIF) according to IEC 60958

• Single Wire mode, sample rate 28 kHz up to 200 kHz

ADAT

• 2 x TOSLINK

• Standard: 2 x 8 channels 24 bit, up to 48 kHz

 

Tags: RME
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